Danai Gurira’s Striking Met Gala Look Combines Gilded Glamour With Nigerian Art


When Danai Gurira hit the red carpet at last night’s Met Gala, she certainly embraced the Gilded Glamour dress code in her one-shouldered gown, designed by Head of State’s Taofeek Abijako. The custom design references the voluminous silhouettes of the 18th century. Yet Gurira, who was raised in Zimbabwe, and Abijako, who is Nigerian, also wanted to infuse their African identities into the theme. To do so, Abijako also looked to Festac ’77 for inspiration—a historic international arts festival that was hosted in Lagos, Nigeria during the ’70s and brought together thousands of artists, writers, musicians, and activists from the African diaspora. “I referenced the massive silhouettes that performers wore at that festival,” says Abijako. “I wanted to pay homage to them, and the silhouettes translate to the 19th-century.”

The designer also paid homage to Festac ’77 in his recent Homecoming collection, but given the Gilded Age dress code on the Met’s red carpet, Abijako wanted to highlight this aspect of African culture once again. “I couldn’t find references [in the Gilded Age] of people that look like us,” says Abijako. “We also know the historical context as to why. The most exciting part was being able to reimagine what these people looked like.” Gurira, who is a fan of Abijako’s work, felt he was the right designer to take this idea and run with it. “That post-colonial intersectionality that he speaks to, in terms of Western influence and finding your own African identity—I was like, ‘Is he reading my mind?’ He has a very rich vision,” she says.

Gurira’s Met dress came together rather quickly—in about a week—and was made using Mikado, an Italian silk. “I wanted something that felt luxe,” says Abijako. Gurira was set on the royal blue colorway. “To me, it’s a very striking color,” says Gurira. “I feel it works very well on African, dark skin.” Abijako adds that the electric hue ties into the theme as well. “It’s [a color] that was actually consistent during that time period, especially in paintings.” 

Photo: Sophia Wilson



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